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Azzopardi Studio Unveils 22nd Collection, Venus in Furs

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Azzopardi Studio has unveiled its 22nd collection, Venus in Furs, a deeply introspective body of work that explores desire, loss, and emotional surrender, while questioning authorship and autonomy in contemporary fashion.

Presented as both a fashion collection and a performative experience, Venus in Furs reflects on the erosion of design identity and the uneasy dependencies that now shape the industry. Creative director Luke Azzopardi describes the collection as a rejection of traditional power dressing, instead turning to vulnerability as a driving force.

The collection looks back to the 1960s, which Azzopardi identifies as the last era when fashion genuinely looked forward, inspired by futurism and cultural ambition rather than archives and nostalgia. Designers, he argues, were once focused on the moon landing rather than recycling the past — a perspective that shapes the collection’s conceptual backbone.

Drawing inspiration from Leopold von Sacher-Masoch’s Venus in Furs, the collection examines intimacy where submission, control and cruelty coexist. These themes are further echoed through references to The Velvet Underground, whose stripped-back lyricism, repetition and emotional detachment inform both the mood and rhythm of the presentation.

Desire in this collection turns inward, expressed through silhouettes that feel exposed yet deliberate, fragile yet controlled. Among the models were long-standing muses of the designer, including animal rights activist Moira Delia, who appeared in an oversized faux fur coat — a deliberate nod to ethical tension and contradiction.

Extending beyond clothing, the presentation evolved into a live performance. Artists Hannah Theuma, Alexandra Alden and Sarah Bonnici formed a one-night-only girl band, blurring the lines between fashion, music and spectacle, and reinforcing Azzopardi Studio’s ongoing commitment to multidisciplinary expression.

With Venus in Furs, Azzopardi Studio continues to position fashion not as product alone, but as narrative — confronting discomfort, dependency and desire in a moment where certainty feels increasingly elusive.

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